關(guān)于dynamicsto的信息

請(qǐng)教英語語法

1. that在這里是形容詞修飾whispered message that一般有指示遠(yuǎn)處事物的功能 相當(dāng)于中文里的"那" 在這里即指 “那種低聲耳語” 這里用the代替是可以的 但是沒有that這么好 用it則不行 因?yàn)樗皇切稳菰~不能放在名詞前做定語 同時(shí)它也不是冠詞

翁牛特ssl適用于網(wǎng)站、小程序/APP、API接口等需要進(jìn)行數(shù)據(jù)傳輸應(yīng)用場(chǎng)景,ssl證書未來市場(chǎng)廣闊!成為創(chuàng)新互聯(lián)的ssl證書銷售渠道,可以享受市場(chǎng)價(jià)格4-6折優(yōu)惠!如果有意向歡迎電話聯(lián)系或者加微信:13518219792(備注:SSL證書合作)期待與您的合作!

2. when引導(dǎo)的是時(shí)間狀語從句 表示"當(dāng)....的時(shí)候"

1. in which引導(dǎo)的是非限制性定語從句 which指代the social cure in which 即指代in the social

cure在從句 中做地點(diǎn)狀語

(從句相當(dāng)于in the social cure organizations and officials use the power of group dynamics to

help individuals improve their lives and possibly the world)

2. improve their lives這里是不定式(省略to)做賓語補(bǔ)足語 補(bǔ)充說明help的賓語individuals

目的狀語是表目的,作用范圍是動(dòng)作或者整個(gè)句子

賓補(bǔ)是對(duì)賓語起補(bǔ)充作用, 作用范圍是賓語這個(gè)名詞

比如 I have to give her money to make her happy 中 to make her happy是目的狀語 作用范圍

是give her money這個(gè)動(dòng)作或者說整個(gè)句子I have to give her money

賀金生的代表論著

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Niu KC, He J-S, Zhang ST, Lechowicz MJ 2015.Grazing increases functional richness but not functional divergence in Tibetan alpine meadow plant communities.Biodiversity and Conservation: doi: 10.1007/s10531-015-0960-2.

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Mi ZR, Huang YY, Gan HJ,Zhou WJ, Flynn DFB, He J-S* 2015.Leaf P increase outpaces leaf N in an Inner Mongolia grassland over 27 years. Biology Letters 11: 20140981.

Ding S, Xu Y, Wang Y, He Y,Hou J, Chen L,He J-S 2015.Distributions of glycerol dialkyl glycerol tetraethers in surface soils ofQinghai–Tibetan Plateau: implications of GDGT-based proxies in cold and dryregions. Biogeosciences Discussion 12: 481-513.

Zhang ZJ,Yan YJ,Tian Y, LiJS, He J-S, Tang ZY* 2015.Distribution and conservation of orchid species richness in China. Biological Conservation 181: 64-72.

Eichenberg D, Trogisch S,Huang YY, He J-S, Bruelheide H 2014.Shifts in community leaf functional traits are related to litter decompositionalong a secondary forest succession series in subtropical China. Journal of Plant Ecology DOI:10.1093/jpe/rtu021: .

Wang YH, Liu HY, Chung H,Yu LF, Mi ZR, Geng Y, Jing X, Wang SP, Zeng H, Cao GM, Zhao XQ, He J-S* 2014. Non-growing-season soilrespiration is controlled by freezing and thawing processes in the summermonsoon-dominated Tibetan alpine grassland. Global Biogeochemical Cycles28: 1081-1095.

Yang XX, Yang Y, Ji CJ,Feng T, Shi Y, Lin L, Ma JJ, He J-S*2014. Large-scale patterns of stomatal traits in Tibetan and Mongoliangrassland species. Basic and Applied Ecology 15: 122-132.

Shi Y, Wang YH, Ma YL, MaWH, Liang CZ, Flynn DFB, Schmid B, Fang JY, He J-S* 2014. Field-based observations of regional-scale, temporalvariation in net primary production in Tibetan alpine grasslands. Biogeosciences11: 2003-2016.

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Geng Y, Wang L, Jin DM, LiuHY, He J-S* 2014. Alpine climatealters the relationships between leaf and root morphological traits but notchemical traits. Oecologia 175: 445-455.

Jing X, Wang YH, Chung H,Mi ZR, Wang SP, Zeng H, He J-S*2014. No temperature acclimation of soil extracellular enzymes to experimentalwarming in an alpine grassland ecosystem on the Tibetan Plateau. Biogeochemistry117: 39-54.

Chen LT, Niu KC, Wu Y, GengY, Mi ZR, Flynn DFB, He J-S* 2013.UV radiation is the primary factor driving the variation in leaf phenolicsacross Chinese grasslands. Ecology and Evolution 3: 4696-4710.

Jin DM, Ma JJ, Ma WH, LiangCZ, Shi Y andHe J-S* 2013. Legumesin Chinese natural grasslands: Species, biomass, and distribution. Rangeland Ecology Management 66: 648-656.

Du EZ, Zhou Z, Li P, Hu XY,Ma YC, Wang W, Zheng CY, Zhu JX, He J-S,Fang JY* 2013. NEECF: a project of nutrient enrichment experiments in China’sforests. Journal of Plant Ecology 6: 428-435.

HeJ-S*,Muraoka H, Son Y, Fang JY 2013. Carbon patterns and processes in East Asianecosystems: multi-scale approaches (Editorial). Journal of Plant Ecology6: 323-324.

Ma YL, Geng Y, Huang YY,Shi Y, Niklaus P, Schmid B, He J-S*2013. Effect of clear-cutting silviculture on soil respiration in a subtropicalforest of China. Journal of Plant Ecology 6: 335-348.

Yu LF, Wang H, Wang GS,Song WM, Huang Y, Li S-G, Liang NS, Tang YH, He J-S* 2013. A comparison of methane emission measurements usingeddy covariance and manual and automated chamber-based techniques in TibetanPlateau alpine wetland. Environmental Pollution 181: 81-90.

Liu C, Wang XP, Wu X, DaiS, He J-S, Yin WL* 2013. Relativeeffects of phylogeny, biological characters and environments on leaf traits inshrub biomes across central Inner Mongolia, China. Journal of Plant Ecology 6: 220-231.

Jin ZN*, Zhuang QL, He J-S, Luo TX, Shi Y 2013. Phenologyshift from 1989 to 2008 on the Tibetan Plateau: an analysis with aprocess-based soil physical model and remote sensing data. Climatic Change 119: 435-449.

Shi Y, Ma YL, Ma WH, LiangCZ, Zhao XQ, Fang JY, He J-S* 2013.Large scale patterns of forage yield and quality across Chinese grasslands. Chinese Science Bulletin 58: 1187-1199.

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Huang N*,He J-S, Niu Z 2013. Estimating thespatial pattern of soil respiration in Tibetan alpine grasslands using LandsatTM images and MODIS data. Ecological Indicators 26: 117-125.

HeJ-S 2012.Carbon cycling of Chinese forests: From carbon storage, dynamics to models. Science China Life Science 55: 188-190.

Geng Y, Wang ZH, Liang CZ,Fang JY, Frank B, Kühn P, Scholten T, HeJ-S* 2012. Effect of geographical range size on plant functional traits andthe relationships between plant, soil and climate in Chinese grasslands. Global Ecology and Biogeography 21: 416–427.

Shi Y, Baumann F, Ma YL,Song C, Kuehn P, Scholten T, He J-S*.2012. Organic and inorganic carbon in the topsoil of the Mongolian and Tibetangrasslands: pattern, control and implications. Biogeosciences 9:2287–2299.

Geng Y,Wang YH,Yang K,WangSP,Zeng H,Baumann F, Kuehn P, Scholten T, HeJ-S* 2012. Soil Respiration in Tibetan Alpine Grasslands: BelowgroundBiomass and Soil Moisture, but Not Soil Temperature, Best Explain theLarge-Scale Patterns. PLoS ONE 7: e34968.

Ma JJ, Ji CJ, Han M, ZhangTF, Yan XD, Hu D, Zeng H, He J-S*2012. Comparative analyses of leaf anatomical characteristics of dicotyledonousspecies in Tibetan and Inner Mongolian grasslands. Science China Life Sciences 42: 158-172.

Tao S*, Wang WT, Liu WX,Zuo Q, Wang XL, Wang R, Wang B, Shen GF, Yang YH, He J-S 2011. Polycyclic aromatic hydrocarbons and organochlorinepesticides in surface soils from the Qinghai-Tibetan plateau. Journal of Environmental Monitoring 13: 175–181.

Chu ZY, Lu YJ, Chang J*,Wang M, Jiang H, He J-S, Peng CH*,Ge Y 2011. Leaf respiration/photosynthesis relationship and variation: aninvestigation of 39 woody and herbaceous species in east subtropical China. Trees-Structureand Function 25: 301-310.

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80臺(tái)上榜HIFI收音頭(配圖)

80臺(tái)上榜HIFI收音頭(配圖)

在著名的收音頭權(quán)威網(wǎng)站Tuner Information

Center,從2002年9月至2006年2月,高保真音響系統(tǒng)評(píng)估小組成員吉姆以一對(duì)一打擂臺(tái)的形式,對(duì)許多頂級(jí)收音頭的聲音進(jìn)行了系統(tǒng)的評(píng)估(原文:From

September 2002 to February 2006, audiophile panelist Jim systematically

evaluated the sound of many top tuners , in side-by-side shootouts),結(jié)果如下:

;tid=1979007extra=page=1page=1

上圖受限,先發(fā)個(gè)規(guī)格表,是別人整理出來的。 收 音 頭型 號(hào)

靈敏度 /dBf 選擇性 / dB 俘獲比 / dB 失真(STHD)% 信噪比 / dB 立體聲分離度 / dB 30 dB 50 dB Mono

Stereo Accupha T-108 11.0 17.0 100 1.5 0.02 0.02 90 80 Denon TU-850 9.8 15.5 65

84 60 Kenwood KT-7500 9.8 14.1 100 1.0 0.10 0.30 75 50 Kenwood L-07T 9.3 14.2

100 1.0 0.15 0.50 80 45 Kenwood L-1000T 10.8 16.2 73 1.0 0.008 71 MagnumD FT-101

10.2 13.2 60 MagnumD FT-101A 10.3 13.2 80 1.5 0.10 0.18 75 60 MagnumD MD-108 9.0

9.9 60 1.5 50 Mcintos MR-78 13.0 90 2.5 0.20 0.20 75 40 Mcintos MR-80 9.3 14.7

110 1.5 0.08 0.08 75 50 Pioneer TX-9500II 8.8 13.2 85 0.8 0.07 0.25 82 50

Pioneer TX-9800 8.8 13.2 85 0.8 0.07 0.07 83 55 Sansui TU-717 9.8 12.5 80 1.0

0.07 0.20 81 48 Sansui TU-919 9.0 12.5 85 1.5 80 70 Sansui TU-X1 8.7 12.5 85 0.9

0.03 0.03 86 50 Sony ST-J88B 10.3 15.3 65 1.0 0.07 0.30 80 50 Tandber TPT-3011A

9.8 65 100 50 Yamaha T-2 8.8 13.2 100 1.0 0.05 0.15 88 55

世紀(jì)調(diào)頻廣播的輝煌歷史為調(diào)諧器收藏家留下了一筆豐盛的遺產(chǎn),當(dāng)年全世界有六十五家電子企業(yè)共生產(chǎn)了兩千多種型號(hào)的調(diào)諧器,其中最著名的18種調(diào)諧器見表1。

表1:歷史上最著名的18種調(diào)諧器 生產(chǎn)廠商 型號(hào) 發(fā)布時(shí)間 SAE SAE Mark Six 1971 Yamaha CT7000 1974 Sony

ST5555 1974 Sherwood Micro/CPU100 1977 Revox B760 1978 Toshiba ST910 1978

McIntosh MR80 1980 Revox B261 1982 Kenwood L-02T 1982 Tandberg 3001A 1983

Accuphase T-106 1984 Naim NAT 01 1985 Revox B260S 1989 Meridian Model 504 1993

Fanfare FT-1 1993 Rotel RHT10 1993 Linn Kudos 1995 Marantz Dynalab MD-108 1996

注:FTA-100和MD-109是本世紀(jì)的產(chǎn)品,故沒有列入。 以下是當(dāng)時(shí)的價(jià)目 1963: Mcintosh MR-67 ($299) 1964:

Marantz 10/10B ($650) 1967: Sony ST-5000W ($399). 1970: Marantz 20 ($695) 1971:

Marantz 20B (695) SAE Mark VI ($1050) 1972: Mac MR78 ($1699) 1973: Sequerra

Model 1 ($3000) Accuphase T-100 ($750) 1974: Yamaha CT-7000 ($1200) SAE VIB

($1250) Technics ST-9700 Sansui TU-9900 ($570) 1975: Luxman T-110 ($525) 1976:

Kenwood 600T ($600) 1977: Luxman T-12 ($645) Luxman 5T50 ($1495) Sherwood

Micro/CPU ($2000) Philips AH-673 ($600) 1978: Yamaha T-2 ($750) Luxman 5T10

($795) Onkyo T-909 ($900) Revox B-760 ($1650) Toshiba ST-910 ($1800) 1979:

Pioneer F-26 ($1000) Sansui TU-919 ($585) 1980: Sansui TU-X1 ($980) Kenwood

KT-917 ($1000) Kenwood L-01T (????) Mac MR-80 ($2499) Tandberg 3001 ($1,095)

1981: Sony ST-J88B ($900) 1982: Kenwood L-02T ($1800/3000) Revox B261 ($1500)

1984: Onkyo T-9090, ($700) 1986: Yamaha T-85 ($449/500) 1988: Tandberg 3001A

($2,200) Onkyo T-9090II ($790) Yamaha TX-1000/2000 ($550/750) 1991: Kenwood

L-1000T ($1100) 1993: Rotel RHT-10 ($1,499)

以下是3臺(tái)名妓的比較 magnum MD-108--Mclntosh MR-8--Trio L-02T

靈敏度-----100------------82-----------85 真實(shí)性-----100------------85-----------87

現(xiàn)場(chǎng)氣氛---100-----------88-----------80 感染力------100-----------90-----------85

動(dòng)態(tài)--------100------------85-----------85

瞬變--------100------------82-----------90 透明度------95------------85-----------88

空氣感------100-----------90-----------87 厚度--------100------------95-----------86

韻味---------95------------92-----------86

頻應(yīng)---------95------------85-----------90 節(jié)奏感-------95-----------85-----------90

控制力------100-----------85-----------87 定位--------100------------85-----------90

音場(chǎng)--------100------------85-----------85 立體空間----100-----------83-----------88

音色甜潤(rùn)-----95-----------95------------86

1 PLUS: -C- Accuphase T-109V - Very natural sound, good bass. Pinpoint

imaging. Lifelike, three-dimensional sound, smooth extended highs

1加,金嗓子T-109V:非常自然的聲音,低音很勁,精確的成像,逼真的三維聲場(chǎng),高頻延 伸非常潤(rùn)滑。

1: -C- Kenwood L-02T - Most natural sound, good bass. Pinpoint imaging.

Lifelike, three-dimensional sound.

1 建伍的L-02T,最最真實(shí)自然的聲音,低頻勁,結(jié)像非常精確,逼真的三維聲場(chǎng)。

2: -C- Sansui TU-919 - The prince who could be king.

2 山水的TU-919,最有希望成為帝王的王子。

3: -C- Sansui TU-X1 - Very good sound top to bottom. Big soundstage, three-

dimensional. Very slight diffuse sound.

3 山水的TU-X1,全頻段的聲音表現(xiàn)都很好,非常寬的三維聲場(chǎng),但是有輕微的漫射聲。

4: -C- Audiolab 8000T - Good bass, natural but diffuse sound, sweet

extended highs.

4 AUDIOLAB的8000T,低音勁且自然,但是有些漫射聲,高頻延伸得很甜。

5: -C- Philips AH6731 - A very natural, neutral sound. Stereo separation

best with a good signal.

5 飛利浦的AH6731 非常非常自然得聲音,在較好的接受信號(hào)時(shí)立體聲的分離度無與倫比。

6: -C- Revox B760 - Great bass, lifelike midrange and extended highs.

6 Revox B760,低音很棒,逼真的三維空間,高頻延伸很好。

7: -M- Kenwood KT-5020 - Great bass and midrange and extended, sweet

treble. Again, why pay more?

7 建伍的KT5020,巨好的低頻和中頻延伸,高音甜。超值?

8: -M- Kenwood KT-990D - Smooth, clean sound that always pleased. Why pay

more?

8 建伍的KT-990D,順滑、干凈的聲音,讓人聽上去非常愉悅。超值?

9: -M- Meridian Model 104 - Excellent, natural sound, good bass, no to DX

games.

9 Meridian Model 104,非常優(yōu)秀自然的聲音,低頻表現(xiàn)好,但不適合玩遠(yuǎn)程。

10: -M- Meridian Model 504 - Good bass, excellent midrange with smooth,

just- right highs.

10 Meridian Model 504,低音表現(xiàn)出色,中頻表現(xiàn)非常出色,而且更為順滑。

11: -M- Kenwood L-1000T - Good bass, punchy midrange, sweet extended

highs.

11 建伍的L-1000T,低音勁,中頻突出,高頻延伸得很甜。

12: -M- Sansui TU-X701 - Great-sounding midrange, bass OK, softer highs

next to the L-02T.

12 山水的TU-X701,中頻非常通透,低音也很好,高音甚至比L-02T更軟更甜。

13: -M- Luxman T-117 - Very good-sounding tuner. No real faults, top to

bottom. Not as three-dimensional as the L-02T and gives up some bass

richness.

13 力士的T-117,非常好聲的收音頭,從高頻到低頻幾乎沒有缺憾,三維聲場(chǎng)不如建伍的 L-02T,而且也放棄了一些低頻的濃郁度。

14: -M- Sansui TU-717 - Good bass and midrange with nice "depth" to the

soundstage. More forward than the L-02T.

14 山水的TU-717,低頻勁,中頻飽滿而富有漂亮的“深度”,可以表現(xiàn)較好的聲場(chǎng),其風(fēng) 格更加傾向于建伍的L-02T。

15: -M- BK TS-108 - Very nice midrange, good bass and nice, extended

highs. 15 BK TS-108,非常華麗的中頻,低音勁,高音延伸好。

16: -M- Technics ST-9038 - Very good bass, nice midrange, smooth

treble.

16 松下的ST-9038,低頻勁暴,中頻準(zhǔn)確,高頻甜滑。 17: -M- Magnum Dynalab MD-108 - Bass OK, very

good imaging and realistic midrange, extended but forward highs.

17 密林的MD108,低音好,非常好的結(jié)像度,真實(shí)的中頻,高音延伸好但是就是有點(diǎn)前 沖。 18: -M- Kenwood KT-917 - Good

bass, midrange and treble. A very pleasant sound but more one-dimensional when

placed next to the L-02T.

18 建伍的KT-917,高中低頻表現(xiàn)都很好,聽感讓人愉悅,但是和L02T比較三維就不突出 了,好像變成了單維。

19: -M- Sansui TU-S9 - Smooth, natural sound. A budget bargain.

19 山水的TU-S9,甜滑自然的聲音,而且價(jià)廉。

20: -M- Kenwood KT-1100 - Quite tuneful, but flatter soundstage than the

L-02T.

20 建伍的KT-1100,音調(diào)十分的諧美,但是和L-02T比聲場(chǎng)方面就顯得有些扁平了。

21: -M- McIntosh MR 80 - Good bass, lively midrange and pleasant highs.

More one-dimensional than the L-02T.

21 麥景圖的MR80,低音好,中音活潑,高音讓人愉悅,和建伍的L-02T比,三維感就比較 單一了。

22: -M- Sanyo Plus T35 - Good bass, laidback midrange and extended,

pleasant highs.

22 三洋的T35,低音好,中音有些散,高音讓人愉悅。

23: -M- Technics ST-G7 - Very nice bass, articulate midrange, forward but

nice upper range.

23 松下的ST-G7,低音非常好,中頻清晰,有點(diǎn)前沖,但是高音華麗。 24: -M- Pioneer F-99X - Follows behind

the big bass dogs but the midrange and treble are where it's at. Sweet, clean,

quiet and to be copied. 24 先鋒的F-99X, 跟隨著大低音狗(不解,??)但是中高音還是甜美干凈安靜。

25: -M- Kenwood KT-3300D - Very good bass, slightly diffuse light mids and

pleasant extended highs. A laidback, nice listen.

25 建伍的KT3300D,低音好,中音有些輕微的漫射聲,高音延伸得很好,讓人愉悅,松散 得聲音聽感很好。 26: -M- Pioneer F-90

- Great sonics with a slightly lighter sonic presentation than the top dogs.

Upper midrange and treble are top-notch.

26先鋒得F-90,非常好聲的機(jī)器,聲音有些偏亮,中音的上限和高音的銜接不是很好,有 缺口。

27: -M- Sansui TU-D99X - Good bass. Bass, midrange and treble work well

together for a balanced sound. 27 山水的TU-D99X,高中低表現(xiàn)的很好,非常平衡的一臺(tái)機(jī)器。

28: -M- Sony ST-J88B - Good bass, pleasing midrange, slightly forward and

sweet treble.

28 索尼的ST-J88B 低音好,中頻很討人喜歡,高音甜但是前沖。

29: -M- Restek Metric - Excellent imaging, bass and highs. Midrange gave up

some to other tuners.

29 Restek Metric 優(yōu)秀的結(jié)像和高低頻。相對(duì)于其他的收音頭中頻有些損失。

30: -M- Perreaux TU-3 - Nice balanced sound. Gives up some richness and

dynamics to the L-02T.

30 Perreaux TU-3 平衡度很好,相對(duì)于建伍的L-02T損失了一些細(xì)節(jié)和動(dòng)態(tài)。 31: -M- Magnum Dynalab FT-101

- Good all-around sound, treble very slightly forward.

31 密林的FT-101 全頻表現(xiàn)很好,高音有些前沖。

32: -M- Kenwood L-07TII - Good all-around sound but loses some inner

detail.

32 建伍的L-07T II,全頻表現(xiàn)很好,但是缺乏一些內(nèi)在細(xì)節(jié)。

33: -M- Accuphase T-109 - Great bass, dry midrange, pleasant but slightly

forward treble.

33 金嗓子的T-109 低音好,中頻有些干,高音很討人喜歡但是有些前沖。 34: -M- Magnum Dynalab FT-101A Etude

- A good, balanced sound, but slightly dry.

34 密林的FT101A練習(xí)曲,很平衡的聲音,略微有些干。 35: -M- Technics ST-8077 - Good bass,

midrange OK. Nice treble presentation.

35 松下的ST-8077,低頻好,中頻也不錯(cuò),高音很華麗。 36: -M- Technics ST-8080 - Good bass, good

midrange, forward highs but not unpleasant.

36 松下的ST-8080,中、低音都很好,高頻有些前沖但也不討人嫌。

37: -M- Nikko Gamma V - Very good bass, good imaging, treble forward but

not unpleasant.

37 日光伽馬V(沒聽過這牌子),低音很好,很好的結(jié)像度,高頻前傾但不討人嫌。

38: -M- Kenwood KT-8300 - Good bass and dynamics, with a slightly forward

upper midrange and treble.

38 建伍的KT8300,低音好且富有動(dòng)態(tài),中頻上限和高頻略微有些前沖。

39: -M- Onkyo T-4500 - Slightly lighter but a pleasing sound. Neutral, top

to bottom, with nice highs.

39 安橋的T-4500 有些亮但還是讓人愉悅的聲音,從頭到尾都很自然,高音甜美。

40: -M- Onkyo T-9090II - Pleasant sound, good bass, but not as dynamic as

some tuners. Great DX machine.

40 安橋的T-9090 II 令人愉悅的聲音,低頻好,但是動(dòng)態(tài)不如其他一些收音頭,但是遠(yuǎn)程 接收是大大的好!!

41: -M- NAD 4155 - Good, punchy bass. Light, articulate mids with

well-mated highs.

41 NAD 4155 強(qiáng)有力的低頻,亮而清晰的中頻和高頻相得益彰。

42: -M- Pioneer F-91 - Very good bass punch and control, articulate

midrange with forward highs. May be a good tuner for a large room.

42 先鋒的F-91 強(qiáng)有力的低頻而且控制力好,清晰的中頻,高音前傾,但對(duì)大房間來說可 能是臺(tái)不錯(cuò)的收音頭哦!

43: -M- Pioneer TX-9800 - Rich bass presentation. Good midrange with a

treble slightly forward that took away from the total picture.

43 先鋒的TX-9800,豐富的低頻,漂亮的中頻,高音有些前沖好像從整幅畫面中突出來一 樣。

44: -M- Tandberg 3011A - Good bass, midrange a little light, sweet treble.

Very good imaging. 44 TANDBERG 3011A ,低頻好,中頻有些亮,高音甜,成像很好。

45: -M- Sansui TU-417 - A most pleasant sound, bottom to top. Needs good

signals.

45 山水的TU-417 徹頭徹尾是最令人愉悅的聲音,前提必須要好的信號(hào)。

46: -M- Carver TX-11b - Punchy bass, clean highs and treble.

46 卡佛(沒聽過)TX-11B,強(qiáng)勁的低音,干凈的高音。

47: -M- Sumo Charlie - Punchy bass, good midrange, slightly rolled-off

treble. Sumo Charlie 強(qiáng)勁的低音,很好的中頻,高頻略微有些收斂。

48: -M- Revox B260 - Rich bass and lower midrange. Good imaging. Three-

dimensional. The highs are a little too much for my personal taste. The high

rating reflects its other positive sound qualities.

48 Revox B260 豐富的低音,中頻有些衰減,很好的結(jié)像度,三維突出,高音有些太討好 我個(gè)人的口味了,高級(jí)別的反應(yīng)了它正確的聲音質(zhì)量。

49: -M- Yamaha CT-7000 - Warm-sounding bass, pleasant midrange and highs.

Highs a little rolled-off.

49 雅馬哈的CT-7000 溫暖的低頻,令人愉悅的中高頻,高頻有些收斂。

50: -M- Sequerra Model 1 - Harmonically rich bass and lower midrange. Very

seductive, but if you want accuracy, shop elsewhere.

50 Sequerra Model 1 和諧而豐富的低頻,較低的中頻,非常誘人,如果你想要更好的精 確度,你還是另謀好機(jī)吧。

51: -M- Magnum Dynalab FT-11 "NEW" - Good sound, natural midrange, treble

nice, loose bass.

51 密林的FT-11新版,好聲機(jī),自然的中頻,華麗的高頻,松散慵懶的低頻。

52: -M- Onkyo T-4310R - Pleasant, inoffensive sound, good imaging. Good

digital DXing tuner.

52 安橋的T-4310R 愉悅而不討人嫌的聲音表現(xiàn),結(jié)像度好,非常好的數(shù)調(diào)遠(yuǎn)程接受機(jī)。

53. -M- Magnum Dynalab FT-101A - Pleasant light, airy sound. Lacks bass

dynamics.

53 密林的FT-101A 輕快愉悅而富有空氣感的聲音,缺乏低頻動(dòng)態(tài)。

54: -M- Realistic TM-1001 - Sweet treble, pleasant mids, but the bass is

not as full and dynamic as the big dogs.

54 Realistic TM-1001 甜美的高音,令人愉快的中頻,但是低音和大狗們(比較燒包的機(jī) 器)比缺乏全面和動(dòng)態(tài)。

55: -M- Yamaha T-2 - Very pleasant and listenable. This may be the cutoff

tuner between the keepers and the also-rans.

55 雅馬哈的T-2,非常令人愉悅和具有可聽性,

56: Revox B261 - Punchy bass, pleasant enough but slightly forward mids and

highs.

56 Revox B261 強(qiáng)勁的低音,非常令人愉悅的但是微微向前傾的中高音。

57: Pioneer TX-9500II - Clean, articulate sound. Lighter sonic presentation

against the L-02T.

57 先鋒的TX-9500Ⅱ 干凈而清爽的聲音表現(xiàn),相對(duì)于建伍的L-02T聲音表現(xiàn)較亮。

8: SAE Mark VI - Inoffensive sound, good background music. A

mini-Sequerra.

58 SAE Mark VI(沒聽過)不討人嫌的聲音,較好背景音樂表現(xiàn)。

59: Denon TU-850 - Good sound, midrange just right, treble sweet, slightly

bass-shy.

59 天龍的TU-850 好聲機(jī),恰如其分的中頻表現(xiàn),高音甜美,低頻有些放不開。

60: Sansui TU-217 - Good sound when reception is strong.

60 山水TU-217 當(dāng)接收型號(hào)強(qiáng)勁是是部好聲機(jī)。

61: Kenwood L-01T - Good sound, midrange slightly forward, good bass.

61 建伍的L-01T 好聲機(jī),中頻稍稍前傾,低音表現(xiàn)好

62: Phase Linear Model 5000 Series Two - Bass-shy, pleasant midrange and

treble.

62 Phase Linear Model 5000 Series Two 低音有點(diǎn)放不開,中高音令人愉悅。

63: Magnum Dynalab FT-11 "OLD" - Good bass, dry midrange, treble OK.

63 密林 FT-11 “老版”,低音好,中頻干,高音好!

64: Quad FM4 - Very nice midrange, good resolution, extended treble, rolled

off bass. 64 國都 FM4,非常華麗的中頻,很好的解析力,高頻延伸好,低頻比較收斂。

65: Technics ST-9030 - Inoffensive but bland.

65 松下ST-9030 不討人嫌,但是缺少激情。

66: Naim NAT 01 - Bass OK, midrange OK, treble sweet.

66 Naim NAT 01,低音OK,中音也OK,高音甜。

67: Luxman T-115 - Good bass, midrange OK, treble slightly forward.

67 力士T-115 高音表現(xiàn)好,中音也不錯(cuò),高音有些前傾。

68: Nakamichi ST-7 - Muffled bass, forward midrange, highs soft and

inoffensive.

68 中道ST-7 低音有些壓抑(蒙),中頻前沖,高頻軟不討人嫌。

69: Marantz 2130 - OK bass, midrange and treble forward and "light"

sounding.

69 馬蘭士2130 低音不錯(cuò),中頻和高頻前傾,屬亮聲機(jī)。 70: McIntosh MR 78 - Good bass, slightly

electronic sound.

70 麥景圖MR78,低頻好,有輕微的電子聲。

71: Fanfare FT-1A - Best through the low-output jacks, clean but bright

midrange, lacks bass power.

71 Fanfare FT-1A 通過低輸出端子表現(xiàn)最佳,干凈但過于明亮的中頻,缺乏低頻力度。

72: Kenwood KT-7500 - Flat soundstage, better sound can be found. One-note

bass. More boring than unpleasant in a long listening session.

72 建伍的KT-7500 平坦的聲場(chǎng),但可以找到較好的聲音表現(xiàn),單音符低頻,在較長(zhǎng)時(shí)間聆 聽后感覺煩躁。

73: Kyocera T-910 - Pleasant sound, but what's that ringing in my ears?

73 京磁 T-910,歡樂的聲音表現(xiàn),但是總有鈴聲在我耳邊縈繞的感覺(我把它翻成肯定 句)

74: SAE 8000 - Not irritating but not involving, either. Too much

background noise.

74 SAE 8000 既不惱人也不喜人,但總是有太多的背景噪音。 75: Kenwood KT-815 - Bass thin, treble

forward. It cries out for a new audio stage.

75 建伍的KT-815 低頻太瘦,高頻前傾,這突出了新的聲場(chǎng)。 76: Denon TU-600 - Good sound, but not

recommended because of reception problems.

76 天龍的TU-600 好聲機(jī),由于接收問題而不被人推薦。 Yamaha T-2 Yamaha T-70

dynamic是什么意思

動(dòng)態(tài)轉(zhuǎn)向模式。

動(dòng)態(tài)轉(zhuǎn)向模式是奧迪所使用的轉(zhuǎn)向系統(tǒng)技術(shù)稱呼,原理上是運(yùn)用了疊加的原理,使用的結(jié)構(gòu)卻與寶馬和豐田的系統(tǒng)有著很大區(qū)別,其核心部件是一套以諧波齒輪傳動(dòng)機(jī)構(gòu)為核心的電控系統(tǒng)。

奧迪的動(dòng)態(tài)轉(zhuǎn)向系統(tǒng),就是在駕駛者即使沒有掌握上述的高級(jí)技巧時(shí),可以主動(dòng)地作出這些高級(jí)動(dòng)作,在不知不覺間穩(wěn)定了行車狀態(tài)。

文章標(biāo)題:關(guān)于dynamicsto的信息
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